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Avion en papier


Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.

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By this I mean that we no more have a shut down system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.

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Kent du Pre Origami Easy Heart has done such focus on Symmetric figures such as stars from which flowers can be folded away. Irregular figures have came out occasionally, nevertheless the most extreme form occurs in Paper Wonder with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Origami Box Tutorial Japanese Origami.

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Uchiyama is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to provide enough points for the hip and legs. Rohm folded his Circus pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new
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opportunities and the other to avoid the complexities of a model achieved only by folding.

Fleur en papier


The slicing out of holes etc. to indicate eyes and so on is sometimes found in Japanese books and we are obviously coping with method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and obviously here we have an open-ended Art form. Supporting A Le Bateau De Papier Hugues Aufray way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its most basic form we may use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or card. One of the most unusual form of 'display mechanics' that We am acquainted with is by Toyoaki Kawai.

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Within a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling That is now usual in animal folds to call for a final modelling particularly when foil has been Bateaux En Papier+facile used and one can make sure of the material remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The technique of wetting the paper is apparently Japanese in origin was demonstrated by Yoshizawa at a Convention in Luton. Another method of damp moulding using paste in the preparation is talked about by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds tend to be soft and are approaching statue rather than Origami.

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Origami Paper Crane
In the most extreme combinations of water and document we are, naturally , in the world of papier-mache which is evidently an open-ended art. DecoratingThe easiest step from a single colour is one side coloured and one white or plain. A great package of modern Origami exploits this colour difference. The delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A

more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for a special model. The end of this process is evidently the decoration of the last model and therefore into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bow and finally string.

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The particular associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded Pliage Bateau En Papier Video together but usually opened at the end to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of paper each folded to symbolize some part of the pet and then brought with each other. The concept may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have came out for folding a monster from a number of potager of different sizes.

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